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Assignment help 13377

by | Jun 8, 2023 | Posted Assignments

Hi, need to submit a 1000 words essay on the topic Photograhs.

This paper is a formal and iconographic analysis of Arbus photographs as compared with the works of Annie Leibovitz.

Arbus is basically revered for bringing out a unique quality known as rough empathy in her photographs. Her works embody commonly gendered attributes of mystery and neurosis, which generally distort the primary intent of the photographs. As Annie Leibovitz concentrated in cool, common images of ordinary people and objects, various works in Arbus’ name reveal her penchant for the images of the sidelined, the surreal, and the impaired. Unlike Leibovitz works, Arbus’s works are ethically weakened by the vulnerability and flawed nature of the subjects. Artistically, most of her works seem to be pathetic, miserable and repulsive, rather than attractive as work of art should be.

What strikes every audience who views Arbus’s works is the convincing feeling of the natural environment, and how uninterrupted her subjects existed in it. In light of her natural touch evidenced in the photos, reducing the artist to the “photographer of freaks” clearly reveals an industry where people are unwilling to come to terms with the otherness of the images (Sontag 1). When Arbus took photographs of people lacking clearly discernible flaws, she often found the off attribute, the odd edging, and the unusual lighting that projected her art as pervaded by flaws. Loser at a diaper derby, N. J. (1967), for example, is one of her iconic works showing a toddler close-up, crying bitterly. The baby’s fat fists are clenched as a sign of mourning, with the silhouette image of his mother showing her ignorance of the toddler. The photograph reveals a case of existential solitude that troubles the massive number of cute, happy baby photos by many artists such as Leibovitz.

Leibovitz’s Leonardo Dicaprio with a Swan (1997) reveals a flawless work of photography. The most attractive attribute of this photo is the


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